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1 Music
Portugal's musical tradition began in the 15th century when songs ( cantigas) written by court troubadours were set to music. Early in the 16th century the cathedral in Coimbra became a center for the composition of polyphonic music and produced several composers of note. Portugal's musical tradition was carried throughout the Portuguese overseas empire. The playwright Gil Vicente used incidental music in his religious plays, some of which could be described as protomusicals. Until the 17th century, musical training was controlled by the Catholic Church, and the clergy dominated the field of composition. During this 18th century, Portuguese mon-archs lavished money and attention on music teachers and composers, which gave Portugal the best and liveliest court music anywhere in Europe. During the period, the Italian Domenico Scarlatti was court choirmaster, which infused Portuguese church music and opera with the Neapolitan style. A Portuguese, João de Sousa Carvalho, was one of the most popular composers of opera and musical drama in Europe during the second half of the 18th century.Perhaps the best-known Portuguese composer is João Domingos Bomtempo. Bomtempo wrote music in the classical style and, as head of the National Academy of Music, assured that the classical style remained integral to Portuguese music until well into the Romantic era. Gradually, Romantic music from Europe was accepted, having been introduced by Alfredo Keil, a Portuguese painter, musician, and opera composer of German descent. Portugal's only Romantic composer of note, Keil wrote the music for A Portuguesa, the official Portuguese national anthem since 1911.The most widely known musical form of Portugal is the fado. Meaning fate, fado is singing that expresses a melancholic longing intermingled with sadness, regret, and resignation. There are at least two variations of fado: the Lisbon fado and the Coimbra or university student fado. Its origins are hotly debated. The most famous Portuguese fado singer was Amália Rodrigues (1920-99); presently, Mariza holds that claim. -
2 music
[ˈmjuːzɪk] noun1) the art of arranging and combining sounds able to be produced by the human voice or by instruments:موسيقى( also adjective) a music lesson.
2) the written form in which such tones etc are set down:الألْحانThe pianist has forgotten to bring her music.
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3 Music
The serious composer who thinks about his art will sooner or later have occasion to ask himself: why is it so important to my own psyche that I compose music? What makes it seem so absolutely necessary, so that every other daily activity, by comparison, is of lesser significance? And why is the creative impulse never satisfied; why must one always begin anew? To the first question-the need to create-the answer is always the same-self-expression; the basic need to make evident one's deepest feelings about life. But why is the job never done? Why must one always begin again? The reason for the compulsion to renewed creativity, it seems to me, is that each added work brings with it an element of selfdiscovery. I must create in order to know myself, and since selfknowledge is a never-ending search, each new work is only a part-answer to the question "Who am I?" and brings with it the need to go on to other and different part-answers. (Copland, 1952, pp. 40-41)When collaboration occurs, when, for a while, the lines of conscious and unconscious thought run along the same track, we achieve the feeling of wholeness and satisfaction which is characteristic of our response to great art and other transcendent states of mind. The patterns of music, translated, analyzed, shorn of detail, are able to stimulate the patterns of emotions on many levels simultaneously, thus bringing various hierarchical states of consciousness and unconsciousness into harmony with one another during the existence of the music for us, whether this is in a performance or purely in the memory. As this happens we experience the sense of unity which arises from the cessation of conflict between conscious and unconscious. (McLaughlin, 1970, pp. 104-105)Historical dictionary of quotations in cognitive science > Music
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4 music
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5 Music
1) File extension: HMP (MIDI), IT (Impulse Tracker), MID (Musical Instrument Digital Interface), MIDI (Musical Instrument Digital Interface)2) Position ( job): M3) Short message service: MUZ, MZQ -
6 music
1) File extension: HMP (MIDI), IT (Impulse Tracker), MID (Musical Instrument Digital Interface), MIDI (Musical Instrument Digital Interface)2) Position ( job): M3) Short message service: MUZ, MZQ -
7 músic
n (m / f) musician -
8 MUSIC
Англо-русский словарь промышленной и научной лексики > MUSIC
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9 music
muzicã -
10 Music Normal
Music: MN -
11 Music Positive
Music: MP -
12 music-hall
music-hall (plural music-halls) [myzikol]masculine noun* * *pl music-halls nom masculin mysikol music hallartiste/spectacle de music-hall — variety artist/show
* * *myzikol nm1) (= lieu) variety theatre Grande-Bretagne variety theater USA2) (= genre) variety* * *music-hall, pl music-halls nm music hall; artiste de music-hall music hall ou variety artist; spectacle de music-hall variety show.[myzikol] ( pluriel music-halls) nom masculin[local] music hall[activité] -
13 music-hall
music-hall s.m.1 ( teatro) music hall, variety theatre, (amer.) vaudeville theatre2 ( spettacolo) variety show, music hall show, (amer.) vaudeville. -
14 Music Dance Music Attitude
Music: MDMAУниверсальный русско-английский словарь > Music Dance Music Attitude
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15 music-hall
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16 Music Advice Guide
Music: MAGУниверсальный русско-английский словарь > Music Advice Guide
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17 Music And Film Independent Artists
Music: MAFIAУниверсальный русско-английский словарь > Music And Film Independent Artists
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18 Music And More
Music: MAM -
19 Music Architecture Sonic Sculpture
Music: MASSУниверсальный русско-английский словарь > Music Architecture Sonic Sculpture
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20 Music Artist Production And Lyrics
Music: MAPLУниверсальный русско-английский словарь > Music Artist Production And Lyrics
См. также в других словарях:
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